Uncommon Author - An Interview with Eliot Peper

Uncommon Author - An Interview with Eliot Peper Uncommon Author - An Interview with Eliot Peper â€Å"For someone who loves a book, would make their day? What would make them happy or make them think of it again or think that it’s cool? And I’m always struggling with that.†Update! We interview Eliot again for the release of the sequel to Uncommon Stock - come check it out!Eliot Peper is the nicest man in the world. At least, that’s how we felt coming away from our interview. His first novel, ‘Uncommon Stock,’ a startup thriller, is both an indie success story and the debut book from Colorado’s FG Press. Eliot’s background is in venture capital and consulting for the tech industry, including spells running his own startups. We met to talk about what it was like transitioning from entrepreneur to authorpreneur, and what it was like working with the newly-minted FG Press.Edit: As of 2016, FG Press has closed its doors. Eliot Peper is now a full-time indie author.- -REEDSYYour first novel is about startups. You’ve had pl enty of experiences in the business world, but had you written much before?ELIOT PEPERI hadn’t written fiction since high school, but I had experience with storytelling. My background was in startups -  I was a founder, then an early employee at a couple of different startups, and then an entrepreneur-in-residence at a VC fund. As you guys I’m sure know yourselves, the fuzzy front-end of building a business, most of it’s storytelling. You’re trying to pitch investors, you’re trying to bring in talent, you’re trying to tell people about the problem you’re trying to address; you’re always telling stories whether it’s to customers, investors, partners, team members -  that’s a lot of what you do on a day-to-day basis. So I’d been doing a ton of that, but I’d not been doing anything like writing a novel.REEDSYI thought it was interesting how widely your book was picked up by the b usiness community. A lot of business writing is generally non-fiction, right?ELIOT PEPERNon-fiction is interesting for obvious reasons. Most non-fiction is â€Å"Here are the lessons I learned doing something,† or with biographies â€Å"What did this person learn through living their life?† For business, I find fiction particularly interesting because it gives you this secret window inside the character’s head.There’s a boatload of non-fiction out there about business -  â€Å"I built GM, or I was the CEO of X company, so here are the things you should think about when starting a company or in your daily life.† But it doesn’t show you that, as I’m sure you guys are experiencing right now, when you’re building a business it’s a human experience, right? Especially for founders who are struggling through their first company or their first couple of companies. It’s a crazy emotional roller coaster. The hum an side of startups doesn’t get a lot of exposure because everyone wants to talk about advice and best practices. Few people want to talk about how it destroyed their relationship with their wife; or how they were sleeping with their co-founder; or how for their series B round they were about to get a ten-x valuation bump on the first round until lead investor had a heart attack the night before and it fucked up their entire company. That stuff happens all the time. I’ve been shocked by the shit that goes down in Silicon Valley.People don’t talk about that stuff publicly in a non-fiction context -  they don’t want to make that their sort of public life. The beauty of fiction is that you can experience that alongside the character. You can give people a window into what it’s like to be the startup or to be in business. And I think for people interested in learning about entrepreneurship that’s really special because there’s a lot more to it that just lean product development.REEDSYYeah, like you don’t need to have abstracted a principle for a story to be useful to someoneELIOT PEPERI’m sure you guys are experiencing this if you have advisors or mentors that you’re going to for advice. You’ll talk to one guy and he’ll say â€Å"Well, in my last business we did this, and we learned that you have to do X.† Then you talk to someone else and they’ll give you the exact opposite advice based on a totally different anecdote.A lot of business non-fiction is like that -  it’s a lot of anecdotes, and it’s really easy to mythologise people. So you look at the big names like Steve Jobs or whatever, and once they’ve achieved success it always feels like you can retroactively go back and say why they achieved success in the past. That’s a really weird thing to do. From a scientific process perspective that’s really bad, b ut that essentially covers all narrative non-fiction. You have to have that â€Å"What did you learn at the end of the fable?† ending, and I think fiction gives you a lot more freedom in that sense. You’re exploring just how humans wrestle with and overcome obstacles. Those obstacles could be killing Gilgamesh, or it could be taking a company public.REEDSYIt’s like parables, basically, or Aristotle’s version of Ethics. He doesn’t try to say what bravery is, he just says â€Å"Bravery is Achilles.†ELIOT PEPERI think the human mind is wired to understand complex problems through stories. It’s boring to read a complex problem that isn’t part of narrative.REEDSYHow have you applied your startup background to the daily routine of writing? I feel like a lot of startup advice is of the ‘work smarter, not harder’ variety. Can you apply that to writing?ELIOT PEPERI think the process of writing is very grinding, in terms of the actual drafting of the manuscript. I don’t even know how you would go about doing that smarter. I don’t really outline, I just spend time brainstorming constantly. On a walk I’ll think about where the characters are, where things are heading, what the next scene should be, what the final scene should be. I feel like I’m in good shape if I know the next scene I’m gonna write, and some kind of North Star that the climax will be. If I have more than that planned out it usually gets stale or I don’t stick to it anyway. I have to spend time immersed in the world psychologically, then I sit down, start writing, and there’s very little I can do aside from forcing myself to make the time, sit in front of Word, and not go on twitter. A lot of it is knowing how to be diligent and how to have discipline.That corresponds to business. It’s way too prevalent with my friends in tech and the startup world who are like â€Å"Oh my God I wa s up until 4am finishing this last release!† To me that’s like saying â€Å"Oh my God, I’m terrible at managing my time!† You know, that’s basically what you’re saying. It was less that I tried to take the lesson ‘work hard at all costs,’ and instead take the lesson ‘only do what matters.’ That’s really difficult to do.As an author it’s so easy to spend all my time blogging and emailing and pitching journalists or influencers to try and get more coverage for the book, to do events, to do signings, to just be on Twitter and Facebook or whatever promotional tools you’re using. You can let that suck away all your time. But at the end of the day the people who read my books, my actual readers, they just want the next book -  they don’t give a shit what I post on Twitter. To an extent, me having a public face, at least they can feel like they’re getting to know me.But you rea lly have to look back and say â€Å"I need to be spending at least the majority of my time doing what actually matters.† In business it’s just as difficult. It’s very easy to spend your time just being external facing when the only reason people are going to be interested in you is to improve their lives by solving a problem. If you’re not solving that problem in what you’re doing every day, that’s a problem.I think that’s probably the one lesson I took from business. The ‘work smarter, not harder’ side’s more relevant in the PR side of things and how you connect with readers. We’re trying to experiment with that. I have a twitter account for the protagonist of ‘Uncommon Stock.’ We built a real website for the fictional startup in the book. We got Foundry Group, the VC firm, to announce an investment in them on April Fools day. That’s sort of fun. My dearest hope is that if I do something that delights my readers, that when they’re at happy hour tonight and they’re quaffing a beer, they’ll say to their friend â€Å"OK, they actually did this.† If that happens that’s one more word-of-mouth referral. Anything I can do to inspire or delight my readers, that’s what I’m going for.REEDSYIt seems like delighting a reader is much healthier than growth hacking.ELIOT PEPERYeah. If you look at the public discourse about how to get readers, the majority of it is the growth hacking kind of stuff. It’s all about how can you engineer your own success and manipulate people into liking you, and I don’t know -  I don’t really like to be manipulated as a reader, so I don’t really want to do that as a writer.REEDSYDo you have any role-models in the self-publishing space?ELIOT PEPERI like Hugh Howey. He’s the wà ¼nderkind, right? But he’s also really personal and personable. He shares what he does, and it feels real. Or, you know Neal Stephenson? He’s a prototypical Big 5 author; he’s been a best-selling author for decades, he has a huge audience, in that sense he’s very mainstream. But he writes on Slashdot and other random forums all the time. The people writing for the New York Times Book Review would never have heard of these places. He’s interesting because if you go to his website, it’s pretty minimal. It’s sort of lame. But he’s also on Slashdot and all these random place, writing super in-depth, honest answers to forum questions from trolls. I find that compelling because it’s like â€Å"That’s pretty cool, you’re just being real, that’s who you are, you’re a sort of goofy nerdy guy, you read Slashdot so you started writing there too.† It’s been very popular. His forum posts turn into memes that people share around writing blogs -  I think thatâ €™s fun.You don’t even have to stick to publishing. Macklemore self-published his first albums, was never signed by a major label, and was able to build a fan-base because his songs are awesome and he made funny videos for them. Now he’s turned that into having some of the top-listed songs over the past couple of years. That’s pretty cool, that’s pretty fun. With the writers I admire most the biggest thing is they write really good stuff, but the other part is in the rest of their lives they come across as really genuine.REEDSYWhat sort of relationship are you building between yourself and your readers?ELIOT PEPERI try to think of writing as literally storytelling. I don’t just hand over the manuscript and that’s that. I try to think of it like I’m literally sitting at a campfire talking to people. If you’re sitting at a campfire with your friends, you don’t want to be awkward, right? It’s better to tell a sto ry they want to hear. And afterwards you’re still their friend. It’s not like the relationship is over -  you’re going to roast marshmallows over the fire and have a conversation about it. That’s how I look at being a writer. I can connect with my readers in a new way or share something with them they might not otherwise know. Like on my blog I write about business because some of my readers are interested in startups and that’s part of why they read my stuff, but I also share personal stuff because if they like my book they might want to know more about me.Do you know Joss Whedon? I find him really interesting. I’m not very sophisticated about films, but what he’s famous for is that while many of the shows he’s made haven’t been that popular in terms of ratings, the people who did watch it were obsessed with it. He’s had the highest aftermarket sales of anyone. The prototypical guy for this is George Lucas. He turned a weird 70s sci-fi movie into the underlying mythology of America, and represents some enormous amount of toy sales and other crazy external licensing sales.The guys who are now doing all these superhero movies are obsessed with Joss Whedon because they’re trying to do the same with these comic book franchises. So they’re trying to take X-Men and turn it into these multiple blockbuster movies but also have video-games and all these other ways fans can experience the story. Joss says he has one question in mind that I think applies to every authors, and that’s â€Å"What can you do that would really delight your fans?† For people who really like your story, how can you double down and give them extra stuff that they would just want more and more of if they really love that story? There’s a really wonderful essay on this, that’s also relevant for early-stage entrepreneurs, called ‘1000 True Fans’.I’m still figuring that out. If people read Uncommon Stock, what more would they want? I know they’d want the sequel because they’re all asking for it, so that’s good -  I’m working on that. But beyond that what are other things that, for someone who loves a book, would make their day? What would make them happy or make them think of it again or think that it’s cool? And I’m always struggling with that.If I was constantly thinking about how I could sell more books, I wouldn’t enjoy the experience of being a writer much. If I want to look at the world cynically, my experience becomes cynical.REEDSYIt’s a bad filter on the creative process.ELIOTYou’re going to have a filter no matter what. If your filter is ‘how can I create something that people will love,’ that’s a fun filter to have. If your filter is ‘how can I create something that people will buy, not only is that less fun from the creativ e perspective, but it’s also very difficult to ascertain. It’s not obvious what people will buy. If you’re trying to select for that, it doesn’t mean you’re going to have any higher chance of success than someone who’s just trying to create something that people will love, and they’re going to have a much better time doing it.REEDSYYou worked with FG Press on ‘Uncommon Stock’ -  what was that like? Did it free you from the commercial pressures traditionally published authors work with, like having to earn out an advance?ELIOTFirst of all, FG Press gives no advances. You have a 50/50 split on all royalties. A typical big-5 contract gives the author about 15% -  that’s fancy math, but that’s more or less what it breaks down to. FG Press is giving a much larger cut on royalties and they’re giving no advance, and I wanted it that way. I think the advance system sets up the wrong in centive. Then the author is writing a book and selling it to a publisher, rather than selling it to a reader. The people who are important to me are my readers. My publisher is important to the extent that they help me either produce something better or do something that makes my readers more happy. I would self-publish in a heartbeat if FG Press was not providing those things for me.The commercial pressures are tied to advances, but the reason that authors are subject to those pressures is because they want the advance. That’s where things can get messy, and that’s part of what FG Press set out to try to do differently. Does that create different challenges? Of course. If you’re not giving advances, the writer has to support themselves until book sales start coming in -  if they do. That’s not a universally good decision -  you need to choose which risk factors you want to take on to produce the kind of content you want to make. T hat’s what they’re doing, that’s their model, and that’s why it’s different. They’re betting that authors who publish through them willingly want to build a readership and want to earn money based on how popular the damn book is, regardless of whether a high-level editor thinks you have potential.REEDSYWhat is FG Press offering their authors in exchange for the initial 50%?ELIOT PEPERFirst of all they’re writing the checks for the initial production costs. It’s true, they take that financial risk, so that’s great for authors who can’t write the checks to take the risks for editing and production. That’s useful and it shows that they’re committed to the title. It just doesn’t cost that much to produce a book. The part where they really add value is through helping to establish a community of readers. As a -  very personal -  example I was sharing my book with Brad becaus e I thought he would like it, and he’s a well-known guy among people who might also like it. If he likes it and writes a review of it, it could be really useful for helping me connect with new readers.When I wrote the book and we released it, that was super useful. Not only did he post about it but he talked to TechStars. TechStars bought ‘Uncommon Stock’ on a license for all of TechStars -  present and future founders. So every TechStars person now gets sent a digital copy of Uncommon Stock. I’d have never been able to achieve that on my own because I don’t have those relationships and I don’t know those people. But working with FG Press it was really cool to be able to do things like that. Or as another example, Foundry Group issued a fake investment. Would they have done that if I was a random self-published author? Probably not, right? So there have been many opportunities working with them for serendipity in terms of working with them that have definitely benefitted me hugely and that I really appreciate that I think also benefit readers. That was a cute stunt, and I wouldn’t have been able to do that for readers.Honestly, the way that I see it at the end of the day and the way that I think FG press is trying to build themselves and the philosophy they take to the table is that they want to just create a publishing model that makes common sense for authors and book production, and then they want to treat everyone like a friend. I’m doing a panel at a tech event. I called FG Press and said â€Å"Guys, I have this opportunity with this big panel -  wouldn’t it be fun if we could like get excerpts of the book to everyone going?† So we’re creating this co-branded landing page where everyone can go pick them up if they want to. Then FG Press said â€Å"If you’re looking for people for the panel, here are a couple of CEOs in the Foundry portfolio that cou ld be a good fit.† So that’s awesome, it makes the panel even better. And so I get to meet a bunch of CEOs who give me good material for my sequel. It’s an all-around everybody-wins.REEDSYHow important was it working with an editor?ELIOT PEPERFirst of all, I need an editor, and I think anyone who thinks they don’t is crazy. If you want to produce something that’s really fun to read, it needs to be edited by someone who knows what they’re doing.I had a couple of different stages. I shared the drafts with Brad but he wasn’t providing on-going feedback and I didn’t want him to. When I’m working on my first rough draft feedback slows me down, it doesn’t speed me up. I need to basically vomit onto the page, and then take that sack of shit in Word format and try to make it better. My first filtration process to try to make it slightly better was sending it to a couple of beta readers who I’d been really selective with. These were people who I had to trust would both be super honest -  not just say it was nice or whatever. I had to know that they’d give me lot of constructive negative feedback.They also each had a specific perspective they could add. One of them for example was probably the top Angel investor in San Diego, and he also studied Literature at Stanford. And so he has this dual perspective of knowing a lot about the English language and loving books, but also being very involved in tech and early-stage startups. I had a friend from grad school, who ended up being my developmental editor, who used to be an editorial exec in Hollywood. She had the whole movie perspective on how those structured plot elements. Movies are incredibly structured stories, and I don’t know that stuff. Having her perspective to help inform where the story could be improved was really useful. They sent back feedback in different forms. Some sent an email with high-level thoughts, s ome people sent me page references. I thought it through, took it on balance, incorporated it.Then I wanted to do a more in-depth, structural look at it because, as I said, I don’t really outline. That’s how I feel comfortable in the creative process but it means more work at the end because you end up having things that don’t work or don’t make sense or aren’t tight enough in terms of plot and character development. So I did three rounds of developmental editing with my friend from grad school. We made a lot of notes, had a couple of phone conversations, and then I would go through and address the problems I thought were important. We did three of those, and each got more gritty. The first one, she didn’t even make notes. She read it, wrote down thoughts, talked through some of the high-level issues. The next one was more scene-oriented, and the final one was more paragraph-by-paragraph.Once we were done with that, I did one more round of b eta readers, different people, got different feedback, incorporate it†¦ and that’s when Brad was giving a lot of detailed feedback. Finally, once we were satisfied with the content we moved onto language. So I did a round of copyediting, then two rounds of proofreading before formatting it for Kindle and print and all that.REEDSYThanks for your time Eliot.

The Jamestown Fiasco Essay Example | Topics and Well Written Essays - 1000 words

The Jamestown Fiasco - Essay Example When the settlers arrived they were not aware of all the troubles that they were going to face. They did not make a wise decision in choosing their location because it was surrounded by a swampy area and it did not provide them access to proper water and also they did not realize that the area that they had chosen was not occupied by Indians but still they could easily reach there. The settlers did not have a very high opinion of the Indians from the beginning and they thought that they did not deserve any rights because they were uncivilized people with no religion. So even before they had set a firm ground in Jamestown they had no plans of proper negotiations with the Indians. The Indians had a different thought about the settlers. They wanted to cooperate with them and in return get access to modern weapons and tools for themselves. The colonists should have realized that to make a good place for themselves they should have availed the opportunity and they should have shaken hands with the Indians and worked in collaboration with them giving the Indians what they needed and taking from them the things required by them. The Indians soon realized that the motive of the settlers was to get hold of their land. As soon as the Indians got to know of their ill plans they started attacking the settlers. Thus the death toll of the colonists rose and within a few moths their number decreased to less than half. 2. Why were the Jamestown settlers unable and/or unwilling to feed themselves. During the time period when everything was under John Smith the relations between the Indians and the colonists took a very good turn. At first when John Smith took over he also used oppressive means against the Indians but soon he was advised by Ocanindge who was an Indian associate to think about the outcome if the Indians would stop working on their fields. He advised him to work in collaboration with the Indians for the betterment of both the communities. The turning point actually came when John smith and some of his fellows came under the attack of the Indians. In this attack most of the men who accompanied John Smith were killed and he was made captive by the Indians. The leader of the Indians who was Powhatan ordered the killing of John Smith but he was saved by the leader's daughter Pocahontas and following this event many things changed for the good. The Indians in return for modernized tools from the English provided them with crops and food for them. This helped both the parties to enjoy the benefits of each others services and this essay would further describe these events. This did not last for a very long time because in 1609 when the area was hit by harsh winter the Indians were not able to provide the settlers with crops. The Indians knew about such conditions and they had kept food reserves for themselves. Thus now they became unable to supply the settlers with food and the relations between the two sides became tense again. The settlers used oppressive forces against the Indians and the Indians replied in a similar manner. This continued for a long time until the supplies were sent to the settlers. The settlers had stayed there for a very long t

Engineering material Essay Example | Topics and Well Written Essays - 1500 words

Engineering material - Essay Example The central part of the specimen possesses reduced cross-sectional area than the end parts. The reduced gauge ensures that the highest stresses occur within the gauge, and not near the grips of the load frame, preventing strain and fracture of the specimen near or in the grips (Fabila 2010). Incremental application of the tensile load to the specimen and its corresponding extension are recorded and plotted by a computer in the form of a load versus elongation graph. This graph is converted into an engineering stress versus engineering strain graph, which is later used to calculate material properties such as yield strength, Young’s modulus, ultimate tensile strength, resilience, and toughness of material. The experiment was conducted on specimens made of Mild Steel (Grade 250), Aluminium 6061, Copper, and Brass. All test specimens had an initial gauge length of 25 mm. All other dimensions of specimens are given below: Each specimen was measured using the calipers to determine the diameter and cross section. A gauge length was determined and scribed into the specimen so the distance between two marks could be measured after the tensile test was completed (Fabila 2010). The specimen was securely placed into the jaws of the Instron load frame so that it was equally spaced between the two clamps (Fabila 2010). The axial and transverse extensometers were attached to the reduced gauge section of the specimen. Care was taken to ensure that the axial extensometer was set correctly, and the transverse extensometer was across the complete diameter of the specimen (Fabila 2010). The test with each specimen continued until fracture. After that, the specimen was removed, and the equipment was reset for the next test. The results of the uniaxial test were used to calculate material properties using the formulas provided below. The results of the tensile tests

Shrek & Donkey Essay Example for Free

Shrek Donkey Essay In traditional fairytales Ogres are man eating beasts, the prince usually rescues the princess, they marry and live happily ever after. How do the makers of Shrek use presentational devices to reverse this tradition, to reveal the ogre as good and the prince as evil? Shrek is obviously not a stereotypical fairytale because of its language and the features of the characters. The characters arent what they seem to be. Shrek is an ogre who is supposed to be bad and cruel, they are uncivilised just like the ogre in Jack and the beanstalk; he chases Jack saying fee fie foe fum; I smell the blood of an Englishman. The princess is supposed to be in distress and desperate to be saved. They have a beautiful voice which is supposed to attract the prince and they are normally scared and not demanding at a stage of crisis. The prince which in this case is Lord Farquaad is supposed to be kind, charming and his main job is to rescue and marry the princess. In Shrek the whole idea of a fairytale has been turned around by making the ogre Shrek the good guy the Lord Farquaad the bad guy and Princess Fiona not a damsel in distress. The filmmakers use a different technique to make the ogre seem good and the lord seems bad. To make this successful they used language, camera shots at different angles and special effects such as sounds and light effects. The film starts of with a traditional beginning with the usual once upon a time, there was a lovely princess. But she had an enchantment upon her of a fearful sort that could only be broken by true loves kiss. She was locked in the highest room in the tallest tower, guarded by a terrible fire-breathing dragon. Many brave knights tried to free her from this dreadful prison, but none prevailed. So she sat in her tower and waited for true love, and true loves first kiss. and the soft slow music in the background. Shrek then rips that page and wipes his bottom saying, like thats ever going to happen, with a Scottish accent. He then bangs the toilet door and then you notice a change in music and atmosphere. There is a sought of rock and roll music which suggest to the viewers that Shrek is not going to be a movie that they had expected it to be like. This is the first clue given to us about what the story is going to be like. This opening breaks all the rules of fairytales because in Cinderella, sleeping beauty and snow white they all have a similar beginning. Once upon a time there lived a princess who the fairytale kept to a same rhythm and only if the princess sang then there would be a change in sound. They all had the same story line; the princess is either put to sleep or locked away by a witch or someone evil. The prince is handsome and is only there to fight the dragon or any evil creature to save the princess they kiss, marry and live happily ever after, the witch or the evil person is either killed or locked the end. But Shreks opening is original and something new for the viewers eyes. The part when Shrek says, like thats ever going to happen starts the turning point in this story. By the time the introduction music is over the viewers know that they are not fated for a conventional story. When the villagers come to attack Shrek he just stays calm and tells them, Now ogres, theyre much worse. Theyll make a suit from your freshly peeled skin. Theyll shave your liver, squeeze the jelly from your eyes. Actually, its quite good on toast. This bit tells us that Shrek is bad and that he will kill all these innocent people. But then we see a change in the character because he says, This is the part where you run away. This shows us that Shrek is good and this is quite odd because they are supposed to be evil. When the donkey approaches Shrek roars at him and tries to intimidate him, the donkey is not frightened but instead he laughs at him saying, Wow, that was really scary and if you dont mind me saying, if that dont work, your breath will certainly get the job done, cause you definitely need some Tic Tacs or something cause your breath STINKS. This shows that Donkey is not afraid of Shrek and that he has the courage to tell the big ogre about his negative things. Donkey is immediately liked by the audience because of his sense of humor. Donkey can see straight through Shrek and knows that he would not hurt anybody. The audience also finds this out when he saves Donkey from the guards, this shows us that Shrek has a heart and is not like normal ogres are; man-eating beasts. The Donkey irritates Shrek by following him to his house and then criticizing a place, Whoa. Look at that. Whod wanna live in a place like that? which is supposed to be Shreks home, That would be my home. Donkey then tries to reverse things around by saying, Oh and it is LOVELY. You know, youre really quite a decorator. Its amazing what youve done with such a modest budget. I like that boulder. That is a NICE boulder. This shows that Donkey would do anything to stay with Shrek and he is a funny character who can be loved by anybody. He then intimidates him by running in his house and peering in the window. After Shrek allows him to stay for one night he starts says, Thank you! Oh this is gonna be fun! We can stay up late, swap manly stories and in the morning, Im making waffles. But in the end he stays outside the house because Shrek does not want him to stay. This makes us feel sorry for Donkey and at this bit we sympathize on him making him feel venerable and not care for the ogre feelings. We think that Shrek is rude and selfish for not sharing his house for one day with Donkey.

West Side Story Essay -- essays research papers

West Side Story   Ã‚  Ã‚  Ã‚  Ã‚  In this musical, it uses several types of narratives, for example, after the fight between the Jets and Puerto Ricans, after the police leave, they enter the ally and the girl is begging to join the gang saying how much she wants to fight is a part of narrative sexuality (B 34). The girl is more of a tom boy who wants to be like one of the guys.   Ã‚  Ã‚  Ã‚  Ã‚  Also, in the West Side Story, it uses many camera angles and distances. One example is the high-angle shot (B 49). In the very beginning the camera shows an overview of the West Side. I think that is shows this because it gives the audience a perspective on how large the West Side is. It also shows a distance shot (B 49) when the police arrive to the fight scene where the...

Analysis of My Last Duchess and Ulyssis

â€Å"My Last Duchess† is a vivid and striking monologue written in 1842. This poem represents the first part of the joint pieces called â€Å"Italy and France†. The poem consists of twenty eight rhyming couplets that are, in my mind, dominated by iambic pentameter. Robert Browning main tool to use in the poem is breaking the lines for regular and irregular pauses. This tool makes the poem very easy and enjoyable to read, and creates easy conversational flow. The poem begins with the line â€Å"Ferrara†. The readers finds himself in a house of a very wealthy duke with a lengthy title and immense power.At the beginning of the poem we are shown that the duke represents the amazing specially made collection of art he possesses. We hear the voice of the main character when he and his guest stop next to the painting with the duke’s last wife. The narrator starts to describe the painting, though rapidly moving to the describing of the duchess herself. From his m onolog it becomes obvious that the narrator considered his late wife to be also one of his possessions that were commissioned for him according to his will.From the very beginning of the poem the narrator is clear to be portrayed as a person depleted of morality and honesty. The poem shows corruption and wickedness of the speaker's character with this presenting similar traits of the society of that time. The people then wanted to possess everything can be naturally possessed or not. In his poem â€Å"Ulysses† Tennyson transports us to the Victorian times. The poem structure is also a dramatic monologue. Throughout the poem Tennyson uses enjambment in order to reproduce the meaning and content of the poem which is that of sailing beyond death.Tennyson’s poem is deep and resonant, he uses high-sounding verse, particularly by setting different vowel sounds closely against each other. In the poem â€Å"Ulysses† the main character is a hero, a warrior and a famous A ncient Greek traveler. He refuses to sit behind and unwind. His whole life is concerned with traveling, taking on adventures, competing and battling, he simply rejects that a man can be an â€Å"idle king† (Davis). Both of the poems, ‘My Last Duchess’ by Robert Browning and ‘Ulysses’ by Alfred Lord Tennyson, are examples of dramatic monologues.As it was already mentioned above they both exclusively consist of the monologs of the protagonists. In both poems there are powerful noble men ruminating about past, though they are very different. What is also different are the poetic devices used in the poems to present these two main characters. The first difference between the main characters is the way they came into power and how they exercise it. The rich Italian duke has acquired all his riches from the â€Å"nine-hundred-years-old-name†.He was born with lengthy titles, in the family with already established name. In his life he never had to do anything to achieve some position. His whole life he went with the flow, expecting others to admire him and his name and follow his orders. On the contrary, Ulysses has earned his status of a hero after battling in Troy, where he showed his nobility and courage. He is respected by people not because his name tells enough for him and leads to common obedient admiring. They respect him because he is a warrior fighting for Greece.At it can be seen from the previous paragraph the characters of the duke and Ulysses are very different. Even though they both get killed at the end of the poems, the reads see that the ways they took death also says a lot about who they are. Wee see that Ulysses is killed as a hero, while the Duke of Ferrara’s killing is very far from being heroic. What is interesting is that the way the duke was killed was not even personal. Even for his death he gave out orders and expected the job to be done for him.

The Effects of War and Peace on Foreign Aid in Somalia

The Effects of War and Peace on Foreign Aid in Somalia Rachel Gardner Professor Marco Mena Sociology of Developing Countries Strayer University 5/4/2014 The Effects of War and Peace on Foreign Aid Foreign aid plays a major role in the sustainability of economic and social activities of developing nations. Whether in the form of development or humanitarian aid, the foreign aid is key to ensuring better living conditions and economic development for these states. These forms of aid are influential in pushing for progress in among the developing nations, but the presence of war greatly affects progress. War has a bearing impact on the distribution of foreign aid in the developing nations due to the resulting impediments that hinder†¦show more content†¦The al-Shabaab in Somalia is limiting the distribution of foreign aid through multiple ways including destruction of key transport and communication infrastructure, sporadic attacks on envoys transporting foreign aid to the needy as well as piracy (Rose, 2013). Gilligan (2013) reports that foreign aid from Britain worth close to one a million pounds was confiscated by the al-Shabaab en route their targeted destination. The attack, which took foreign aid in the form of humanitarian supplies, was one among multiple other previous attacks conducted on the countrys foreign aid (Gilligan, 2013). Having hindered the distribution of foreign aid to the needy in Somalia, attacks by the al-Shabaab militia greatly discouraged the award of other aids with the British government writing off  £480 000 worth of humanitarian supplies to the country (Gilligan, 2013). This follows similar reports of food meant for the starving being stolen and sold at the markets. What is more troubling is the hijacking of ammunitions intended for peacekeepers as reported by Katharine (2011). This not only hinders the distribution of the foreign aid, but similarly strengthens the militia by providing them with weapons to continue with their terror acts. 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